Wednesday, 21 June 2017

Evil Ed (Anders Jacobsson, 1995) Blu-Ray/DVD Review

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“I'm just another chunk of meat lost in brain land.” Striking out of Sweden as the blood-soaked antithesis of Ingmar Bergman, Anders Jacobsson's Evil Ed – reportedly made with a budget equivalent to a mere two-and-a-half seconds worth of Jurassic Park – is a frantic and gleefully over-the-top horror comedy crammed to the gills with references to American splatter epics. In some ways it is the ultimate fan film crafted by obsessives of blood 'n' guts cinema, and yet – first appearing in the UK in the dying years of James Ferman's censorious grip on the British Board of Film Classification – when horror was still tantamount to smut – Evil Ed comes as a rebel yell against the Mary Whitehouse types of the world. Hands off our gore, it screams, take your scissors and shove 'em where the sun doesn't shine!

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Friday, 16 June 2017

Double Bill Mini Reviews: Under Your Radar Edition...

What's it about?
A middle-aged family man arrives in another identikit hotel in advance of giving another motivational speech on yet another whistle-stop tour. Feeling lost and alone in his life, so much so that everyone but him in this world has the same face and the same voice, he's doomed to misery - until Lisa enters his life.
Who would I recognise in it?
David Thewlis, Jennifer Jason Leigh, Tom Noonan (all voices).
Sometimes the format in which you tell a story can make all the difference, or put an intriguing spin on the material. With "Anomalisa", writer/director Charlie Kaufman (Eternal Sunshine of the Spotless Mind) teams up with director Duke Johnson to present this very grown up tale of middle-age melancholy in the form of stop-motion animation...

Click "READ MORE" below for the verdict on this flick as well as Kevin Smith's weirdest movie to date...

Wednesday, 7 June 2017

The Red Queen Kills Seven Times (Emilio P Miraglia, 1972) Blu-Ray Review

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“The Corpse That Didn't Want To Die!” Following on from The Night Evelyn Came Out Of The Grave (1971), writer/director Emilio P. Miraglia once again dived into the glamorous pool of the lurid European murder mystery with The Red Queen Kills Seven Times (otherwise known as The Lady In Red Kills Seven Times), a violent clash of morals set against a fractured backdrop where two worlds collide: that of a Gothic castle and that of a modernist fashion house. This is a film consumed with ideas of wealth and the inevitability of hereditary sin...

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